Georgia O'Keefe


I found myself surprised to be drawn most strongly towards Georgia O'keefe's more abstract paintings in this exhibition of her works at the Tate Modern. The huge canvases, filled with strong colour and simple shapes seemed both calming and expansive and I left the exhibition feeling really inspired, energised and refreshed.

(Above) Pelvis Series (1947)

(Below) Sky Above Clouds IV (1965)

(Below, left) Black Door with Red (1954)

(Below, right) My Last Door (1952-1954)

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